![]() ![]() The highly embellished enameling along the hoop and bezel of this exceptional and rare ring is reminiscent of the ornamental prints of the French goldsmith and printmaker Daniel Mignot (active in Augsburg, 1593-1616) which were printed in 1596 (cf. 9.75) and in a private collection (Beazley Archive, 40009722, Misc 9). Catalogue of the Engraved Gems and Finger-rings in the Ashmolean Museum II. ![]() 1986.898) Ashmolean Museum, Oxford (publ.: Martin Henig/Arthur Macgregor. examples in the Art Institute Chicago (Ref. For grazing horses on intaglios of the 1 st century AD, cf. Meaning and Interpretations, Archaeopress Publishing, Oxford, 2018, pp. Representations of Animals on Greek and Roman Engraved Gems. 279).įor representations of horses in Roman times, see: Idit Sagiv. Sammlung Hanns-Ulrich Haedeke, Rheinland-Verlag, Cologne 2000, no. 81-2) Hanns-Ulrich Haedeke Collection (Hanns-Ulrich Haedeke. 600 180 ROMAN GLASS AND BRONZE RING II-III c. Wearing chiton, holding cornucopia in her left hand and ears of wheat in right hand. Catalogue de la Collection de Bagues de Madame Gustave de Tarnóczy, Paris 1889, pp. Flat, oval, clear light yellow glass depicting standing figure of Tyche. Similar elaborately enameled signet rings set with ancient intaglios or Imperial laureate heads can be found in the British Museum, London (Dalton 1912, no. Minor loss of enamel in some areas, through age and wear. ![]() On the underside of the bezel is an elaborate cross motif with scrolls in black enamel against gold. Carved into the bluish grey on brown surface is a grazing horse seen in profile, head bent low. The frieze-like decoration continues along the sides of the facetted bezel with dots, dashes and scrollwork, a triangular form with acanthus foliage and fine gold framing line along the base of the bezel with raised mount and fluted collet for a nicolo-agate intaglio. Gold ring with D-section hoop widening towards the oval bezel, plain on the interior and on the exterior the shoulder is decorated in gold against black enamel with symmetrical foliate and floral motifs. A grazing horse as seen here may have represented a favored racehorse. The large oval bezel is set with a sardonyx stone. In Ancient Greece images of horses denoted aristocratic status, were symbolic of heroism and the all-important cavalry. An Ancient Roman solid gold finger ring featuring a round section hoop with slightly expanding shoulders. The horse motif was most likely the personal choice of the wearer or giver of this ring who would have been familiar with its meaning in Classical Antiquity as a symbol of wealth and power. The Roman intaglio reflects the spirit of Humanism during the Renaissance, when there was a revived interest in Classical literature and the arts. Wealthy owners had them incorporated into signet rings, and in this case, an exceptional and rare ring with sophisticated enameling. In the Renaissance period, ancient cameos and intaglios were highly sought-after collectors’ items. EXCEPTIONAL AND EXQUISITE ENAMELLED RENAISSANCE RING, SET WITH A HANDSOME ROMAN INTAGLIO OF A HORSE ![]()
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